Some governments, schools, and businesses try to block websites in order to reduce distractions, conserve bandwidth, or censor content. If you want to circumvent such limitations—and you’re willing to assume any attendant risks—you can try to enlist the aid of a VPN, or virtual private network.

How a VPN works

A VPN creates a secure tunnel between your PC and a server in another location. When you connect to a VPN server, all of your communication travels through that tunnel, so third parties can’t monitor it. In this setup, your online identity—your IP address—becomes anonymized, and you can access blocked websites. 

IDG

VPNs also offer a high level of security as any data passing through the VPN network is encrypted.

Try AnchorFree’s Hotspot Shield for a free, ad-supported introduction to accessing blocked websites via VPN. But if you want to use a VPN for all or most of your online activity, it’s wise to step up to a paid service, which usually costs a few dollars a month.

Our current overall favorite VPN is Mullvad—but you can learn more about how VPNs work and compare a host of VPN products by reading our roundup of VPN services.

Note: A VPN does require that you download an app to your computer. If your situation makes this impossible, know that most VPN services offer a mobile component, which could allow you to bypass a Wi-Fi network’s IP restrictions from your phone.

In Metro Exodus, you learn to appreciate silence. It’s unnerving, at first, the dead stillness of a post-nuclear hellscape. Soon you come around to it though, because silence means—for a brief moment, at least—nothing is trying to kill you. Nobody is yelling “He’s over there!” and no one is shooting at you. You’re not being mauled by mindless ghouls. Demons don’t circle above you, diving down to scratch at your face. You’re not drowning, or on fire, or choking on poisonous fumes, or bleeding out on the sand.

Silence means safety. And in Metro Exodus safety is a rare blessing, punctuated by the beep of your makeshift motion detector picking up a new den of horrors.

Peace train

In Metro Exodus, it’s been 20-odd years since nuclear warfare destroyed Moscow, drove the few survivors deep underground into the concrete shelter of the subway system. It’s been 20 years of infighting, of tin-pot dictators and territory grabs and dwindling resources. And in 20 years, not a single person’s arrived from outside the city. These few, the ones blessed enough to reach the metro, are the last remaining representatives of the human race.

IDG / Hayden Dingman

Or at least, that’s what the people of Moscow think. Artyom isn’t so sure though. Following on from the events of Metro: Last Light, Artyom’s convinced there’s life outside the city—if only you could reach it. Every day he ventures above ground, braving radiation and hostile wildlife to reach Moscow’s ruined rooftops where he listens to static on the radio. Every day, static.

Until one day, there are voices.

I won’t ruin what circumstances cause Artyom and the ragged remnants of the Spartan Order to leave Moscow. Suffice it to say, they do—and it’s forced upon them rather than chosen. Regardless, it’s on Artyom, his now-wife Anna, and the rest to find a new home, traveling by train across vast swathes of the Russian countryside.

And I do mean vast. Both Metro 2033 and Last Light were linear affairs, corridor shooters in an era where we rarely saw corridor shooters. It made sense. After all, the first took place almost exclusively in the confines of the titular subway system. The latter ventured above the surface more often, but still was about being trapped in the labyrinthine ruins of Moscow.

IDG / Hayden Dingman

Exodus is about exploration, both thematically and mechanically. Taking place over the course of the year, you’ll spend most of your time in three enormous environments: The Volga, the Caspian Desert, and the Taiga. There are linear moments amid the open-world, mostly story-related, but they make up a fraction of the game. More often than not Exodus gives you a map, a few points of interest, a gun, and nothing else.

There’s a feeling of coming full-circle here. After all, Metro developer 4A Games consists in no small part of developers who worked on S.T.A.L.K.E.R., a landmark open-world shooter at a time when open-world games were still a novelty. For Metro to go open-world, it’s finally embraced being the S.T.A.L.K.E.R. spiritual successor it only sort of resembled before.

Exodus is friendlier than S.T.A.L.K.E.R. ever was, to be fair. But it’s also refreshingly free form compared to the straightforward action-shooter setup of Last Light. After a short prologue section Exodus turns you loose on the icy shores of the Volga, and it really is just you, a map, and a gun.

IDG / Hayden Dingman

It feels overwhelming at first, I’ll admit. We did two demos of Exodus prior to release, one at E3 last year and another just a few weeks ago, and in both I had basically the same concern: That the open-world nature of Exodus, that lack of structure, would seem aimless.

IDG / Hayden Dingman

But you soon realize there’s a logic to the world. Sure, the Volga is littered with all manner of sunken houses and crashed train cars, and it’s tempting to poke into each and every one. There are definite landmarks though, and the game (in one of its few player-friendly design choices) allows you to mark these on your map by panning over them with Artyom’s binoculars. The smallest of these locations might be a single camp with some supplies and a few enemies to clear.

The largest are Metro levels in their own right though, sprawling dungeons with a short story to tell—whether explicit or, more often, implied by the environment. Here, a crumbling church full of cultists who banned electricity in the wake of the apocalypse. There, the sunken remnants of a train depot with a shrine to a mutant whale-god. Later, a recluse congratulates you on making it past the overgrown spider-scorpion-nightmares who live underneath his home, a feat the soldiers who pursued him couldn’t manage.

That’s still Metro’s strong suit, the atmosphere of it all. It’s what elevates Metro above so many other open-world shooters, the fact that its world feels realistic and weighty. And freed from the confines of Moscow there’s more to experiment with in Exodus, be it the rusting hulk of a beached ship-turned-prison, or caves pocked with makeshift homes, or geysers of oil that periodically light on fire, or a rail line threatening to crumble into the lake below, or a collapsed hangar with the dusty remnants of helicopters within. It’s incredibly picturesque and diverse, this post-apocalypse, and worth exploring.

IDG / Hayden Dingman

Not that Exodus is without issues. Like most open-world games, Exodus has a hard time balancing between the player who explores every nook and cranny versus those who want to blaze through the story. If you’re meticulous like I was, and if you master the use of throwing knives to conserve ammo, you’ll end up with an absurd number of crafting materials, taking much of the danger out of Metro. Why worry when you can always gin up more ammo, more health kits, and more gas mask filters? The crunch of resource management, a trademark of Metro since the original and its unique bullets-are-also-your-trading-currency system, is mostly absent here.

And it’s also full of jank. One particularly egregious bug lost me two hours of progress early on, breaking my save and forcing me to restart the game. As of the time of writing, 4A couldn’t tell me what caused the issue or whether it’d be fixed for release. That sucks.

Myriad other bugs abound. I’ve seen people floating in mid-air after I’d alerted their camp. My companions are constantly running into me and then pushing me out of cover or down a hallway. I’ve been pulled through a door and into a black void, then rescued later in the same scene by scripting that warped my character back into the room to accept an item from a character’s outstretched hand, thank goodness. Don’t get me started on the characters themselves, with models that look much older and less polished than the environments, or the constant pauses between every line of dialogue, or the near-constant animation glitches.

IDG / Hayden Dingman

Enemy behavior can be wild as well. It’s often impossible to tell whether alerting an enemy will alert the entire base, and reloading a scenario can result in different outcomes entirely. Also, it’s hard to take the Demons (flying mutant bats) seriously when their AI is thwarted by ducking alongside or underneath literally anything. Not very threatening.

But none of this should come as a surprise to longtime Metro fans. 2033 and Last Light were games I loved despite the jank, and Exodus is no different. Sure, it’s buggy, but there’s nothing else like Metro.

People always clamor for Half-Life 3, or a spiritual successor to the grim realism of Far Cry 2. For my money, Metro’s the closest we’ve come in the recent past to either of those hypotheticals, and particularly Exodus. Its commitment to grounding the player in its world, to forcing everything through Artyom’s eyes, is relentless. In broad strokes, Exodus is the same “Finding A New Home” story we’ve seen over and over, particularly in post-apocalypse settings. But it’s filled with insightful commentary on social and political systems, on demagogues, on how religion and other doctrines can be used to control a vulnerable populace, and—most importantly—on how those ideas pertained to the society that came before the apocalypse.

IDG / Hayden Dingman

Metro’s nuclear war is more than a convenient setup. It’s core to the entire worldview, a thread straight through from 2033 to Last Light to Exodus. Everywhere Artyom goes he finds the same petty tyrants lording over the same insignificant fiefdoms and making the same excuses for their behavior, proof that even if the majority of the human populace died when the nukes fell, humanity’s baser instincts are alive and well.

Bleak, no? And yet Artyom still goes up to the rooftops every day and turns on the radio.

Bottom line

I’ve said it before: I’ll take flawed-but-interesting over polished-but-generic every single time, and Metro has long epitomized that belief for me. Sure, Metro Exodus is rough around the edges, there’s no disputing that. I was annoyed having to replay that first two hours, and there are countless ways I think Exodus could be improved—not least of which is the dialogue delivery. This is still very much a B-tier series in some ways, and it shows most in the character performances.

And yet it’s so exciting when it all lines up, when you’re creeping through the brush at night, skirting a patrol, then crawling through the rusting sheet metal of a collapsed hangar to scrounge for a new scope or a few assault rifle rounds—just you, a map, a gun, and a prayer.

The Beats Studio3 Wireless headphones look great in the newest Crystal Blue, Desert Sand, Shadow Gray, and Midnight Black Skyline colors, but at $350 they’re hardly an impulse buy. Today, though,you can save $70 on a pair of the popular over-ear headphones on AmazonRemove non-product link, bringing them down to a more-palatable $280.

These wireless over-the-ear headphones come packed with a bunch of features for convenience and connectivity. Fast Fuel charging gives you up to three hours of playtime with just a 10-minute charge, while a full charge can provide you with 22 hours of battery life. Adaptive noise-canceling capabilities make it easy to hear your music even in noisy environments, while customizable pivoting and soft cushions make for a comfortable fit. In addition, an Apple W1 chip allows for improved battery life and Class 1 Bluetooth connectivity.

This is the first time we’ve seen a discount on the Skyline colors, which launched last fall, though other models are also included in the sale. While we haven’t tried these headphones ourselves, Beats have long made a name for themselves as dependable audio gear. And the Studio3 headphones are no exception, with a 4.3-star rating out of 5 on Amazon with more than 1,000 user reviews.

[Today’s deal: Beats Studio3 Wireless headphones for $280Remove non-product link]

This story, “Amazon is taking $70 off the sleek new Beats Studio3 Wireless Headphones Skyline Collection today” was originally published by

Haveaheartsavealife.

If you’re in the market for some components as you sketch out a new PC gaming rig, we’ve got some killer deals for you today on the three most important parts: the processor, GPU, and hard drive.

First up, is the Ryzen 5 2600 with Wraith Stealth Cooler at Amazon for $150Remove non-product link, which includes a free copy of Tom Clancy’s The Division 2. This CPU offers six cores and twelve threads with a base clock of 3.4GHz and a boost clock of 3.9 GHz. It might not be as powerful as the 2600x—which brings the same core and thread count but has a slightly higher base and boost clock—but for the money it’s hard to beat the 2600.

Next up in our PC components package is an ASRock Radeon RX 590 graphics card for $220Remove non-product link at Newegg. To get that price you need to send in a $20 mail-in rebate and use the checkout code EMCTVUV73 for another $20 off, so you’re actually paying $260 upfront. The RX 590 is our top pick for 1080p gaming, and you should have no trouble playing with the setting maxed. You can even get some respectable 1440p performance from this GPU.

Finally, Newegg’s also selling a 512GB HP EX920 M.2 “gumstick” SSD for $79Remove non-product link. What’s great about this SSD is that it offers a solid amount of storage in a small package and supports the NVMe interface. That means you should get a much speedier SSD than those that are running off SATA. 

Of course, even if you grab all three of these deals, you’ll still need parts like a motherboard and RAM, but you’ll have a good head start on a great rig for a great price.

The typical LED light bulb is hardly a piece of art. Loaded up with electronics, they usually feature a big, industrial-looking, plastic base and are covered in frosted glass to mask their homely inner workings.

That’s all changing thanks to GE Lighting, which has released more than 30 new LED bulbs in a variety of shapes, sizes, and socket types, all with fully exposed, faux filaments. No plastic base. No frosted glass.

If you’ve seen the old-school “Edison bulbs” hanging in your local speakeasy, you know what I’m talking about. The GE Vintage bulbs include either clear or amber glass and feature an interior design made up of either four linear filaments or a single spiral that winds through the bulb. Bulbs are available in in 60-, 40-, or 25-watt equivalents, and all are dimmable. (In fact, the exposed filaments look even better when you dim the bulbs a bit.)

GE Lighting

These bulbs don’t just adopt historical filament designs, the shapes of the bulbs take a nod from the past, too. Chief among these options is the antique “Edison” shape, that familiar, oblong, tapered cylinder. More standard bulb shapes, including tubular bulbs and candelabra bulbs (in versions with medium and candelabra bases for smaller fixtures), are also available.

Swapping out a compact fluorescent or a standard LED with one of GE’s Vintage bulbs makes a world of difference in any fixture where the bulb is visible. Swapping these bulbs for standard LEDs in a pair of outdoor sconces was true night and day in my testing, completely transforming the appearance of my entryway. With these bulbs available, I’ll never go back to other designs.

Of course, it’s important to note that these are not “smart” bulbs in any way, so you can’t change their color or tune their temperature; and if you want to use scheduling features, you’ll need to do that by installing a smart switch instead. On the other hand, there’s a huge variety of bulbs available. I tested a 60-watt equivalent (with a 6-watt power draw) with amber glass, tuned to a very warm 2,200K. The bulbs aren’t the brightest—varying from 250- to 560 lumens each, depending on the style and watt equivalence—but since they aren’t really designed for use as primary light sources, that’s probably not a big problem for most.

GE Lighting

A bigger issue might be figuring out where you can deploy them. Most of the lights in my home are either fully covered or are used as task lighting, where I need more brightness. I’d love to outfit my entire home in these types of lights, but there are only a handful of places where they make sense here; namely in outdoor sconces, chandeliers, and pendant fixtures.

Naturally, you’ll also pay more for these bulbs, which run roughly $8 to $12 per bulb, depending on power and model and how many bulbs you buy in a pack. Even though generic LED bulbs now run only $4 or $5 each, the cosmetic improvement alone makes these a no-brainer upgrade for any implementation where the bulb itself is exposed.